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Sky Boys has achieved Critical Mass!
"But it's the songs that shine as brightly as the steel
beacon itself. Charles Greenberg's melodies recall
Stephen Flaherty (of Ragtime fame), and ‘30s
composers like Gershwin and Berlin, with just a touch of
Sondheim." -
Raven Snook, Time Out New York
"Buoyed by
Charles Greenberg's winning music, which includes both
Gershwin-esque passages and American Indian influences,
SKY BOYS reveals the Empire State Building as so much
more than just a familiar silhouette" -
Laurel Graeber - NY Times
"..the show is also blessed by its adept composer,
Charlie Greenberg.."-
Robert Windeler, BackStage"Riveting Steel the
Mohawk Way" is one of the show's high points. It brings
all the thematic and cultural elements together in a
driving beat which is reminiscent of both a Mohawk drum
and a riveter's gun, one which remained stuck in my head
as I left the theater." -
Joshua Bombino, Theater Is Easy.
"The songs offer a pleasing variety from rousing, ..
to lyrical.." -
Ethan Kanter - Show Business Weekly
Other comments regarding the musical theater
collaborations of
Barbara Zinn Krieger and Charlie Greenberg:
Alastair Macaulay,
NY Times, (Jose Limon: The Making
of an Artist) "..just unpretentious use of melody
and rhythm tucking aspects of Limon's story engagingly
into the nervous system.."
Celene McDernott, NYMETRO PARENTS (Jose Limon: The
Making of: an Artist) "The songs by Charles Greenberg
are catchy (you'll leave humming a few afterwards), and
often funny or sad, drawing children right into the
emotional heart of the scene."
Laurel Graeber, NY Times (The Butterfly)
"Charles Greenberg’s score, with folk and klezmer
overtones, includes lovely melodies as well as jaunty
numbers for comic relief".
Laurel Graeber, NY Times (Little Kit, or The
Industrious Flea Circus Girl) "“Children will find
Kit’s adventures…an enjoyable introduction to opera.”
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